What I'm reading: depression and the CIA's cameras

Ryan Boyd, LARB, This Long Whine:

Since the 1960s, he emphasizes, medical document-keeping has changed. In privatized health-care markets, where cost and risk are transferred to individuals, therapists write less openly and less interestingly, and contra the rich narration and character descriptions that distinguish his earlier records, now a patient’s archive is about “handing you expeditiously on to the next provider, the notes a sort of bill of lading.” There are plenty of kind, skilled, well-meaning individual doctors and therapists, but the system in which they practice turns patients into sources of revenue trailed by miscellaneous records...

A Very Public Sociologist, A Cultural Sociology of Mass Stupidity:

The neoliberal self comes packaged with other consequences: on how the individual sees themselves in the world. While this mode of governance is prescriptive about individuality, choice, and responsibility, excludes collectivism... and reinforces one's powerlessness in the face of the world, it compensates by endowing the neoliberal self with ontological and epistemological sovereignty. Put plainly, I'm all that matters and I know best. If then the cultural accent is on self-responsibility and effort, there is no higher power dictating what is and isn't true apart from your own opinions.

The Phoblographer, In the 1960s, High Resolution Color Photography Pained The CIA:

The US Government’s relationship with Kodak has always been fascinating. Labs and facilities in Rochester, NY, were developed just to deal with Classified photography and clandestine missions. Processes and films born there catered to Uncle Sam’s needs. But one can only imagine the dismay of the Chairman on September 11th, 1963: the date that Colonel Jack D Ledford filed a report saying that they started work on high-resolution Color Photography on behalf of the CIA. When they sent the negatives to Kodak, the company told the CIA that they needed some time. According to a Declassified document, Kodak wasn’t equipped to process the 9-inch materials and wouldn’t have them until the next month. Even by those standards, that’s a long time for anyone to wait to get their film back.

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